A brand strategist turned cultural heritage researcher, I work in the messy intersections of memory, curation, and narrative—especially in Nigerian contexts, where stories don't sit neatly in archives but pulse through oral traditions, everyday rituals, and the spaces we carve out for what we choose to remember or let fade.

Before diving back into academia for my Master's in Cultural Heritage, I spent years crafting brand narratives for institutions like the Mellon Foundation and Getty Museum, helping them translate their arts and conservation missions into digital spaces for a wider audience.

As a heritage researcher, I’ve realised that to interrogate the idea of Nigerian heritage is to call into question the idea of the nation itself. I’ve researched Nigerian museology through the national museum system, explored architectural heritage through abandoned historical sites, and I continue to explore the power of the specific in the universal through uncovering my family history and how it resonates in larger national narratives.